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newz bio / contact newz bio / contact newz vincent abadie hafez aka zepha visual artist "the art of writing your name" contemporary urban calligraphy and beyond book release the art of writing your name highlights the history of the contemporary urban calligraphy movement regarding the last 25 years and thereby provides a great overview. it is an innovative new title, which covers the emergence of an exciting genre of graffiti and calligraphy and at the same time presenting a significant selection of works by more than 35 of the world's hottest urban calligraphers. over the years, graffiti writers started experimenting more and more with calligraphy on walls. young artists created new scripts or letters, and galleries exhibited this new phenomenon. the art of writing your name brings together artists who merge calligraphy with the art of graffiti writing, street art and urban culture. altogether more than three generations of calligraphy art are showcased. for many postmodern artists, there is a very fine line between calligraphy and graffiti, and that line occasionally disappears. as demonstrated by many of the works published here, the traditional border between graffiti as an autonomous project and calligraphy as ëvisualisation of the wordí is constantly fading. moreover, a wide range of international artists are featured on 288 pages from graffiti legends, such as chaz bojorquez with his cholo style or niels shoe meulman , the founder of the calligraffiti movement, to top shots of the current urban art scene like jonone or l’atlas . also in the mix are other masters of their fields such as usugrow, cryptik, faust, saber or vincent abadie hafez aka zepha. the art of writing your name presents styles and techniques from paper to brick, from graffiti to calligraphy, and from street to gallery and back. author: christian hundertmark & patrick hartl size: 297mm x 235mm pages: 288 price: 34.90 eur isbn: 978-3-939566-50-2 features: hardcover release: 01.07.2017 "urbanites" naila gallery with: vincent abadie hafez, carlos mare, talal al zeid. curated by lulwah al homoud naila art gallery hosts urbanites exhibition curated by saudi artist and curator lulwah al homoud as part of the permanent collection from 28 february at the gallery in the heart of the riyadh, saudi arabia. art remains the most powerful tool to unite, stimulate communication and change our views of what we previously perceived. contemporary urban art, which has its roots in new york city subway graffiti, was a rebellion and self-contained movement that first and foremost sought to promote one's self-invented name through signature stylization and redundancy in its placement on public property. it spoke primarily to those involved in the movement and used the public space as its canvas, utilizing walls and moving subway trains as a way to popularize oneself. while graffiti art had its origins in the streets, the artists quickly became more versed on the larger history of art and their place and stake in it. born from hip hop which remixed culture and made it anew for its time the artists soon took on the broader movements of art history to reflect and project a way forward. what ironically started off as a cutting-edge art soon moved from the open space to the mainstream as galleries and art institutions collected and promoted their works, in some cases on canvas, sculpture, or commissioned murals. in the exhibition, our three artists are the masters of their own individual style and each have a unique history in the culture which in the case of carlos mare begins in the mid-1970s subway art movement in nyc that would later influence both vincent abadie hafez from france and talal al zeid from saudi arabia. the common thread of graffiti art that lead them into contemporary art exemplifies the power of largest and youngest art movement of recorded history. not bound by geography these artists all show diversity and depth in their collective works and thinking about modern art making as it pertains to the world around them. all three artists exhibited at the prestigious 2016 sharjah calligraphy biennale together and now are brought together in a focused narrative around the historical and cultural ties found in their lives and works. http://www.gallerynaila.com/portfolio/urbanites/ "suspended odes / mu’allaqat " mural the inspiration for this dubaï's gouvernemental commission mural are the mu‘allaqāt (arabic: ا علقات, [al-mu'allaqa't]) is a group of seven long arabic poems that are considered the best work of the pre-islamic era. the name means the suspended odes or the hanging poems, the traditional explanation (likely as a myth) being that these poems were hung on or in the ka'ba at mecca. it has also been called the mu‘allaqāt because its like precious gems that hangs in the mind and is watched in silence. along with the mufaddaliyat, jamharat ash'ar al-arab and asma'iyyat, the mu'allaqat are considered the primary source for early arabic poetry. rosa parks fait le mur 400 m mural with @kashink @katja stroph @bastardilla. collectif gfr. rue d'aubervillier. paris "si je suis né de la terre, alors ou que j'aille se trouve ma patrie..." ...et tous les hommes sont mes parents." mural 19/18m . festival jidar -toiles de rue. maroc.#zepha1 2015 "ornements" 13.11.2014 > 10.01.15 : ornement. vincent abadie hafez/zepha, cédric bartoli, zoulikha bouabdellah. l’ornement, superfétatoire, est par nature un ajout, employé à des fins d’embellissement. unique objet de cette exposition, il s’émancipe de son rôle décoratif secondaire pour atteindre l’autonomie artistique. l’espace croix-baragnon s’inscrit dans le sillage de l’exposition du musée des augustins, benjamin-constant (1845-1902) merveilles et mirages de l'orientalisme. "paragraphe" floor installation in recycling wood "dia logo" asalto / festival international de arte urbano /zaragoza spain mural / 2014 invited by the asalto festival to paint a 25 m/ 5m mural in front of the pilar basilic "velorution" copenhagen mural / summer 2014 djerbahood project "l'amour est ma religion et ma foi"/ "love is my religion and my faith" "knowing people is like a treasure" participative murals & palimpsest in herriad / tunisia dar bibine/ erriadh / djerba isalnd / tunisia jalousie urbaine / urban jealousy artazoï mural participatif paris 20 ème / zepha juin 2014 urban jalousie / 5 / 35 m / mixed medias on wall urban jalousie participative mural / 5 / 35 m / calligraffity mixed medias on wall inspirées des moucharabieh, les fenêtres à jalousie , sont un système de volets orientables permettant aux personnes à l'intérieur de la maison d'observer presque sans être vues. conversation calligraphique l'apotre/ fuite/zepha la camy et kolor78 présentent : apotre fuite zepha en conversation calligraphique sur les murs de l'hospice saint charles 30 rue nationale, 78710 rosny sur seine exposition du 14 juin au 24 aout solar sound mural alter paname / bobigny des racines & des lettres / roots and letters palimpsest wall dedicated to my home town: cergy exposition collective "street art invasion" à cergy avec entre autre phillipe beaudelocque, c215, seize happywallmaker, yz... major minority / 1xrun print http://1xrun.com/runs/metamatrice1 "i assembled this piece using zinc's matrix. the original piece was made from an etching print technique called "eau forte", which first uses paper prints which are then cut and assembled together." - vincent abadie hafez-zepha curated by san francisco-based artist poesia, “a major minority” is a survey of othercontemporary urban artists from over 18 countries consisting of over a 100 artists. expect to see an international sampling of art works that reveal the overall character of urban art and its relationship to the public as well as the contemporary art world. this selection of more than 20 prints from a major minority includes work from 1xrun veterans as defer, estria, askew and poesia, as well as first timers bom.k,

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